Ellipsis Between Worlds, Chapter 2

I posted Chapter 1 of this novel last month just to see if folks might be interested in reading it in serial form, and some people really enjoyed it. One reader gave me some excellent suggestions that are already shaping where the novel goes from here (shout-out to author Steve Daval), and my girlfriend Sandra is making sure I continue to write it, so I’ll keep posting chapters and taking your suggestions. I know it’s hitting a little close to home, but I hope that will help readers relate rather than being a turn-off.


Ellipsis Between Worlds

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Chapter 1

Chapter 2

Back when Albert had given up his tenure track teaching position at Oberlin in Ohio and moved to Chicago to take a somewhat menial construction job, he’d marveled at the design of The Enceladus. Of course the sheer size of the ship had taken his breath away, just as it did for everyone. Even from the surface of Earth, it was visible in its berth in orbit, a ghostly white balloon in the sky at the end of its space elevator thread. But the more he learned about it, the more impressed he was. Because they’d known it would take fifty years to build, and because they expected technology to improve dramatically during that time, they’d focused on simplicity. It’s exterior hull looked almost like a globe. But the engine, which was not nearly the diameter of the ship itself, was a core that hung suspended between the poles of the orb, creating indentations at those poles, the rear pole sinking in to the main exhaust port that would launch the ship to Saturn’s moon, the front pole of the ship sinking into the exhaust port that would deccelerate the ship on the second half of its journey. Most of the globe was hollow, the people living in the ten storey thick skin of the balloon, the wildlife living under the artificial sky thirty stories further in, and then a vast nothingness, not even filled with oxygen, between that artificial sky and the core. Most impressive, once Albert learned about it, was the way the ship had been designed to be built; all in prefabricated interlocking pieces that could be made on Earth and then lifted up the space elevator and simply set in place. Much as ancient wooden maritime ships were designed to use the pressure of the water to push the pieces of wood together to remain water-tight, once The Enceladus was pressurized, the force attempting to suck that air into space pulled all the pieces of the ship into place so perfectly they kept the air in. Of course, back when he’d been working at loading those prefabricated pieces onto the space elevator, the ship had lacked its most magical ingredient. In the last months before the launch, they’d used the space elevator to pump trillions (he’d read it was nearly a quadrillion) gallons of water from the Great Lakes up to the ship where it was carefully applied to form a perfectly clear bubble of ice fifty feet thick around the whole ship. (In fact, they’d even covered the exhaust ports of the main engine, then drilled in to make the openings for the exhaust. That was easier.) The ice served as a shield against solar radiation, a protection against any micrometeoroid that would hit the ship with the force of a bullet, a source of oxygen, and a source of fuel for the hyper-efficient hydrogen engine. Sure, they had the solar sail behind them for extra juice and protection, but they had more than enough fuel to make the journey ten times over in the shield itself. It was this kind of beautiful simplicity Albert admired about the ship. 


Here’s what he hated: Elevators. In the ten stories that made up the space in which everyone worked and lived, people had to take elevators up to the floor just beneath the wildlife area. Then they had to board a maglev train to the right place, then get off and take another elevator down to where they were going. Back before the quarantine, there had been frequent lines at these elevators that wasted everyone’s time. Now, when most of the crew were remanded to their cabins, the elevators were easily accessible even though only one person could be in one at a time in order to prevent the spread of the infection. But that meant, on his first day out of his cramped cabin in weeks, Albert walked down an empty hallway and got into an even smaller room by himself. Then he got out of the small room and climbed into a compartment of a maglev train, essentially another small, windowless room, and shot under the surface of the wildlife floor to a station where he got into a second elevator, another small, windowless room. He’d just traded isolation for more isolation. 


But this elevator was headed in a direction he’d never traveled before. Instead of going down to some spot in the crew’s working or living areas, this elevator was going up. Actually, up and down were relative. It was going further in, away from the hull that was the focus of the ship’s artificial gravity, towards the core where there would be none. And while those other trips “down” were, at most, ten stories, this one would be ten times as long. If the elevator had windows, he would have spent the first moments rocketing through the wildlife area, watching the green plains populated by herds of grazing animals, the rolling hills, and the the bodies of water of different sizes, elevations/depths, and selenities with all their teaming fish. Birds in flight would have passed below him, mostly, though many soared as high as the artificial sky and could have flown much higher on Earth. Most of the ship’s food was produced in facilities below, but there were farms growing some kinds of produce under the artificial sky, and he would have recognized the rows of corn shrinking beneath him, turning into simple golden squares. 


And then, quite suddenly, he would have been terrified if the elevator had windows. Because when it passed through the artificial sky, it entered a space unlike anything except in the heart of the other four great ships rocketing off to their destinations. Above him (what felt like “above” due to the artificial gravity) was the core, and beneath him there was the spherical back side of the artificial sky, but in between was nothing, a huge emptiness punctuated only by the thin spokes of the various elevators and pointed in to the core. The light of a few stars might have peaked in from the front of the ship, around the control deck and through the clear ice shield at the front of the ship, and similarly from the space around the exhaust port at the stern, but most of the light would have been blocked by the hull, and there was no reason to illuminate the core. It was the largest, emptiest, darkest space ever created by human beings, possibly the largest cave in the universe, and only a few techs doing maintenance checks on the outside of the core would ever have seen it.  It was not designed to be seen. It was the empty body cavity of the ship, and the ship’s heart floated far, far from its ribs.


As Albert raced toward that heart, the same maglev technology that moved the trains side to side now pushed and pulled the elevator up/down/in, and he could feel the gravity dissipate. There was no sensation of spinning any more than a person feels the Earth’s rotation around its axis, or around the sun, or around the center of the galaxy, spiral inside spiral inside spiral. But as he neared the core, the centrifugal force of the spin lost its grip on his body, and he began to bounce off his chair and against his seatbelt for longer and longer periods despite the elevator’s smooth movement. Just flexing his butt muscles sent him floating off his seat and into the belt, and he entertained himself by seeing how long he could make himself bounce with the minimum amount of force. It felt childish, but he was completely alone inside the elevator, and, he reasoned, childish glee was a reason to engage in an activity, any activity, not a reason to avoid it. 


When the elevator arrived, he reached down and pushed the buttons on the tops of his shoes. In most respects they looked like tennis shoes he would have worn back on Earth, but they had a button near the toe, at the end of the laces, and when pressed it lit up a soft green to let the wearer know the shoes were working. Pressing one’s feet down into the floor activated the magnets in the soles, and lifting one’s foot pressed the sensors in the inside roof of the shoes, deactivating the magnets. This made it possible to walk along the ground without giving any thought to the lack of gravity, and it let the muscles of the ankles orient the body 90 degrees from the floor. The position of the magnets in the sole, and the way they came online and when turned off, made for a remarkably natural stride, and Albert took off his seatbelt and walked out into the hall without thinking of the shoes.


The first room on the other side of the elevator looked like an airlock and might have been able to serve as one, but currently it was being used to make sure none of the virus made it into the ships core area. He walked to the center of the room, stopped, and held his arms straight out. He knew the drill, though he wasn’t looking forward to it. A red warning light flashed, reminding him to close his eyes tightly, and a digital bell sound gave out a slow note that incresed in volume. At its peak, Albert felt the cold mist of the disinfectant, then the heat of the flash of UV light that evaporated the moisture on his skin away. Too much of this would leave his skin dry and cracking. Hell, too much of it would probably give him all kinds of crazy cancer, he thought. But he understood why they were doing it. And it was no guerantee; if he’d picked up the virus and it was already inside his system, he could bring it into the core area. They must have high confidence through their contact tracing that he not only didn’t have it yet, but also hadn’t passed through any area on his way to the elevator where an infected person had been since that route’s last deep cleaning. 


The door on the other side of the little room opened automatically, and Albert stepped through into a hallway. He needed his phone to give him directions down to the office where he would have his interview, and he didn’t cross paths with anyone else as he made two lefts and three rights until he found the door marked with a simple number 47 on the door. Inside, he found a bare room, a cube with an empty desk standing between two chairs. He sat in a chair facing the far wall and waited. His anxiety built in the silence, and he fought the urge to pull out his phone. He didn’t want his first impression on a prospective employer to be found staring at the screen in his hand. But when the door finally opened less than two minutes later, he started at the sound and turned in his chair like a frightened animal, then had to compose his face before the interviewer entered.


Just when he was feeling controlled, the man came in. Upside-down. The doorway didn’t rise quite to what Albert perceived as the ceiling, so the man had to step over a bit of the frame, but he did that as naturally as a submarine sailor used to walking into doors with raised door jambs. The man had short brown hair, a clean-shaven face, a thin build and long neck, bad posture. Because he was standing on Albert’s ceiling, his hunching was even more disconcerting. He walked across the room, dodging the desk just as he might if he’d been on Albert’s floor, only his head passed next to the desk. Then, in the corner, he turned his body at the ankles, maintaining his curved spine, then walked down what Albert perceived as the wall, then rose up to Albert’s orientation. He pulled out the chair and sat, but he still didn’t look at Albert’s face. 


“I’m Dr. Bradley Norton. Always ‘Bradley,’ never ‘Brad.’ I don’t like the name ‘Brad.’”


“Nice to meet you, Dr. Norton,” Albert said.


“Yes, that is better than ‘Bradley,’” the man said, still staring at a corner of the room over Albert’s left shoulder.  “And you are Dr. Albert White. It’s nice to meet you. I won’t shake your hand, for obvious reasons. I should mention that I’m not a medical doctor. I’m a Ph.D., like you. Multiple, in fact. But the hard sciences. Mathematics. Physics. Engineering. I do not do well with people or anything involving people. That’s why you are here. I entered the room in the way that I did because I have been told that it’s a power move. But I am not supposed to tell you it’s a power move or it loses its power. And that’s okay. I don’t want to make you uncomfortable.” 


And then he sat in silence.


“Alright,” Albert said, and couldn’t think of anything else to say.


“It’s interesting that your name is ‘White’ even though you are not white, Dr. White.” Dr. Norton did not smile as he said this. Albert couldn’t figure out if it was a joke.


“No. One of my ancestors was a slave who was owned by a man who was named White, and he had to take his master’s name. There has been lots of racial mixing in my family’s history, including white people, but, to my knowledge, there has never been a white person named White in the family.”


“Yes. That is interesting. Not technically ironic, but interesting. One interesting thing about me is that I have autism. That’s why I am uncomfortable with eye contact, although I understand many people who do not have autism are also uncomfortable with eye contact. It is also why I frequently say things that make people uncomfortable. I have learned to be very up front about this. That will be especially important for our conversation today because I am going to say things that will probably make you very uncomfortable.”


Then Dr. Norton stared in silence again.


“Alright. I appreciate that.”


“Good. I am not a Vulcan. I do have feelings, and I’m sorry this will be uncomfortable. Dr. White, how many people are there in the solar system at present?”


Albert blinked. “Um, well, Earth’s population peaked at around 9 billion and has been going down, so, somewhere between 7 and 8 billion?”


“That may still technically be correct, though I highly doubt it. But we need to stop thinking in that way. We need to start thinking that the entire population of the solar system is under ten million people, and they are all on this ship. That is almost certainly not true yet, but it will probably be true soon.”


Now it was Albert’s turn to stare in silence, though he gaped directly at Dr. Norton. “I don’t … I don’t understand.”


“No, you wouldn’t. You shouldn’t, in fact. That’s by design. There are very few people who understand this completely. Perhaps only a few thousand aboard this ship. Though, a few thousand used to be point zero zero zero zero zero zero zero two five percent of the universe’s human population, and I’m asking you imagine it as point zero zero zero two, so ‘small’ is relative. Here is what that small number of people understand, and what you must understand in order to do the job I’m asking you to do. 


“A little over one hundred years ago, shortly after the outbreak of the Corona virus, a group of people at very high levels of government had the forethought to examine the way people immediately returned to behaviors that were destroying the global climate, and they realized this would be unsustainable. Furthermore, they realized they could not change people’s behaviors, even the behaviors of their own governments, in time to prevent the Earth from becoming inhospitable to human life. So they went to their governments and proposed to provide a Plan B. Actually, a Plan B, C, D, E, and F. They suggested building the ship we are on now, and they told them we needed this option just in case global warming got out of control, or in case of an asteroid strike against the Earth, or in case of another pandemic just like they’d all recently survived. Even these arguments would have been unpersuasive, but when these forward thinkers pointed out that all the other continents were going to have their own ships, each group of governments signed onto the plan for fear of being the odd person out. 


“They designed the ships to hold vast numbers of people. Ten million each. But I think you can imagine what would have happened if they had said that only those fifty million people would be leaving Earth. They would have been dismissed as alarmists, or, worse, they would have had to decide which people lived and died in the face of a massive public uproar. Instead, they got to decide from the volunteers quietly over time. They announced the journeys and let people apply. They made it clear that we did not know, and still do not know, which of the five ships will be able to create a sustainable colony. Maybe they all will, but that’s unlikely. Maybe none of them will. That’s slightly more likely, unfortunately. People, knowing they were going on what may prove to be a suicide mission, were very reluctant to sign up. As the conditions on Earth worsened, more and more people decided to take the risk, but it was still a small enough percentage of the population that we avoided an Escape from Saigon scenario. You are a history professor. Do you understand that reference?”


Albert nodded. The Vietnam War wasn’t his area of specialization, but he’d seen the pictures of people hanging off the last American helicopters as the capital of South Vietnam fell to the North. 


Dr. Norton held out his hands, palms up, his first gesticulation in his whole speech. “This ship isn’t even full to capacity. There are 9,438,426 people on board. There were more when we took off, before the epidemic, but not the full complement of ten million. Some babies have also been born, and some people have died for reasons not related to the virus. But you get my point. We weren’t even full. People on Earth decided to take their chances, most believing they would have to live out their lives underground after the ships took off. They thought that was a much safer alternative than a suicide mission to a remote planet or moon. And we mostly let them think that. We didn’t try to completely prevent the truth from getting out. That would have been impossible. 10,000 people can’t keep a secret. But by letting it just be a rumor and not an official pronouncement, we allowed it to be drowned out by other rumors. There are always conspiracy theories that some people will believe and others won’t. We just withheld some of the evidence that might have elevated one theory to the top for people concerned about evidence.”


Albert swallowed. “What evidence did you withhold?”


“The real numbers in our modeling. When the original group designed the five ships, they sold them as Plan B, C, D, E, and F. What they didn’t say was that the construction of the ships themselves, the mining, the moving of the parts using gasoline, the extraction of the water for the shields; all these things made the global warming worse. Much worse. Much faster. Having these Plan Bs meant there was no longer a Plan A. It’s possible some people will learn how to survive under Earth’s surface until the planet heals, but I find that very unlikely. In fact, since we drained the water for the ice shields, it’s more probable they are all already dead.”


Albert fell back against the back of his chair, a movement that took some intentionality in zero gravity. “Holy shit.”


“Yes, I understand this is a very hard thing for you to hear. I have just told you that many people you know, probably many of the people you care about, are dead. It would be most polite for me to give you some time to process this information. I understand the grieving process takes most people some time, often years, though there is quite a bit of variation. Unfortunately, we don’t have that luxury. If you need to take years to process this grief, you will not be able to do the job I need you to do. Are you ready to learn about the job? I can give you a few minutes of silence, but then we have to move on. Because, if the 9,438,426 people on board this ship are the only people still alive in the solar system, we have a problem that must be solved or it will mean the end of the human race. Would you like five minutes of silence first?”

Monthly Newsletter, Dancing on the Ashes for April

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Dear Fetching and Insightful Readers,

The end of April is here. I had this whole opening monologue planned wherein I would make fun of myself for taking on new projects and making myself so busy that I’m avoiding the pandemic outside my door by risking a stress-induced heart attack indoors. But you know what? This month has been rough for a lot of folks, far rougher for many than it has been for me. So let’s just skip to the good stuff, shall we? 

Lotsa’ Good Stuff:

Kate Ristau’s Shadow Queene, the sequel to Shadow Girl, launched on Tuesday, and Kate did a bunch of cool online events. That was a great day for me, a milestone for Not a Pipe Publishing (25 books in print!), and an even better day for all the folks getting their copies of her great novel.

William Schreiber’s Someone to Watch Over, will have its cover reveal and pre-order announcement on the 4th of May. Excited for that launch. It’s a wonderful story about family and redemption which gets lumped into the unfortunately named category “Women’s Fiction.” Sorry, dudes, but women read more fiction in just about every genre; it’s all “Women’s Fiction.” But then, calling Bill’s book “Literary Fiction” tells you next to nothing about it, either. We need better descriptors.

Claudine Griggs’ Don’t Ask, Don’t Tell, an LGBTQ Thriller (see, that actually tells you something!) will have its cover reveal during May and launch on June 1st, the first day of Pride Month. Keep an eye out for that one; it may force you to ask yourself some uncomfortable questions about how far you would go to fight for what’s right.

In addition to these other author’s books, I have been working on my own. For those of you who dared to defy the title of Don’t Read This Book and have been clamoring for the sequel … yes, for both of you ... I’m about nine chapters in and making good progress. But I also started a different novel I’m writing simultaneously. “Why would someone do that?” you ask. Because my girlfriend, Sandra, really wants to read more of my writing, and I’m not used that in a relationship, so I want to keep her wanting more. I’m thinking I’ll release this other novel as a serial if you all like it. It’s about a guy stuck in a room during a quarantine, only his room is in a spaceship traveling from Earth to Enceladus, one of the moons of Saturn … and then it turns out the situation is even more dire than he thought. Sound like something you might like? Check it out HERE and let me know if you want more!

[Working Title] Ellipsis Between Worlds, Chapter 1

 

Tweet from someone you should consider following

One of my favorite people on twitter is Jamelle Bouie. I’ve admired his writing and thinking since he was on Slate and a frequent guest on The Slate Political Gabfest. Now he’s at the New York Times and on CBS. I feel like I almost know him personally. He’s into cooking (not my thing), photography (I admire it but am not good at it), and comic books (so with him on that), but mostly I appreciate his incisive political commentary and eye for important and illuminating stories. Give him a follow

 

Racism is a system for the distribution of personhood. To be white is to presumptively be a person, to be black is to presumptively be a non-person. https://t.co/3uNnzGSsCK

— b-boy bouiebaisse (@jbouie) April 28, 2020


 

Monthly Poem

No long introduction is necessary for this month’s poem. You’ll be able to guess what inspired it.

 

Little Bird


Sometimes

Do even the smallest birds

while chirping their way through

a sun-dappled

cloud-splattered dawn

greeting their neighbors

and flitting about

looking for worms or seeds

just doing their daily chores

fix their wings out stiffly

and glide in a fast arc downwards

that swoops up

so they are perfect models

of the freedom of flight

and think to themselves

"Damn I'm cool!"?

 

Or is that the point of 

millions of years of evolution

to make creatures 

who can stand beneath them

watch their perfect shapes

silhouetted against the sky

to learn we are lesser

lower

than their simple greatness?


Book recommendation

The most powerful book I read this month was Roxanne Gay’s An Untamed State, but it is so brutal, I’m not sure I’d recommend reading it during a global pandemic. Want to cry? Then grab a copy. I tweeted about how much I admired it, and Roxanne Gay replied! That was a high point of the month, certainly. 

Announcements/reminders

Last month I encouraged you to sign up for our Writing Against the Darkness Team. On the longest day of the year, June 20th, we’re going to participate in The Alzheimer’s Associations annual The Longest Day fundraiser by writing from dawn to dusk. Well, we might not be getting together in person this year, but this is the perfect opportunity to do some good for the world from home, and doing good is a great way to maintain your own mental health, so please consider it. Find out more and sign up HERE.

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Sign off

I hope this finds you physically and mentally well and weathering this storm as best you can. I’ll keep sending you flowers every day (digitally, through Instagram and twitter and FB) to try to bring some added beauty into your life. Take care!

-Ben

Sponsored section

No sponsors yet, so if you have a friend who wants to reach a few hundred of the very best people, tell them to contact me. I think I’ll do the first one free just so folks can see that I really do post them. Got something you want to advertise for free?

To sign up to receive this newsletter in your email each month, go HERE

Serial Novel, Maybe? Chapter 1

So I’m thinking of writing a novel in serial form during this whole COVID thing. I’m a couple chapters in, and I’ve outlined it through the ending. I think it has legs. But I want your feedback. What do you think? Want more of this?


[Working Title] Ellipsis Between Worlds

Enceladus_with_Saturn_(20901575102).jpg

Chapter 1

It was strange; there, on his screen, he had more entertainment than he could watch in a thousand lifetimes. Comedies. Action movies. So-called "reality" programs. Documentaries. And that didn't include all the games he could play. Old fashioned two dimensional side scrollers, three dimensional first-person shooters, immersive virtual reality role playing games. Many of the movies and games were set in fictional settings, some completely fantastical but others rooted in the world of before, the one with soil and trees and waterfalls. He could have spent his time looking at those. Remembering. There were so many ways to fill the hours trapped in his apartment. Instead, he would just stare out the window.

He remembered movies he'd seen where characters, noble heroes in fancy uniforms, stared out their windows into space. The stars would zip by, sometimes stretching into long glowing lines, to show the audience the ship was moving at some incredible speed. Ridiculous. Out his window, the stars were glowing specks. They didn't move. There was no sun coming up to hide them for half the day. The ship's clocks counted through each twenty-four hour "day," then rolled over, and the stars never changed. He thought about getting a grease pencil and trying to mark all the stars’ positions to see if there was any change in the entire duration of the journey. He was no astronomer, but he didn’t think it would work. He knew they were moving at an average speed of 25 thousand miles an hour. He knew the trip would take almost four years. And he knew they would end up about 800 million miles from Earth. He suspected those stars, when 800 million miles from home, would be in almost exactly the same positions they had been in the Ohio night sky on the rare nights they’d been visible. And he also suspected he didn’t have the technical know-how to place the markings on the window precisely enough to make any change visible to the naked eye from some vantage point in his room. These were, at best, guesses based on his general knowledge, just musings from a guy who understood less about astronautics than most of the people on the ship. These speculations were all superseded by his absolute certainty that he’d never have the motivation to undertake the project. He didn’t stare at the stars because he cared about them. He stared at them because he had trouble caring about anything.

Also, it was impossible to strike a brave pose when the window was in the floor. Albert found it frankly shocking that none of the old movies got that part right. Sure, it would have made for bad camera angles, but at least some of the most realistic movies should have predicted that correctly. If the fake gravity had to be created by rotation, of course all the windows would be set in the floors. He assumed there were windows in the front and back of the ship that looked out towards their destination or the home they’d left behind. But he’d never bothered to check. There’d be nothing but a star-filled night sky in front. And behind? Nothing he wanted to think about. Most of his cabin had a normal, opaque floor. The porthole was circular, three feet in diameter, and set in the middle of the room. Some people covered theirs with a rug. Albert set his only chair at the edge and stared into space between his feet. Why would he want a window set in the wall so he could stand up and look backwards along the ship’s flightpath? That would be even more depressing. 

Albert didn’t wear a fancy uniform or rest his hand on the grip of a high-tech laser pistol while staring out his window. On a good day, he wore jeans and a t-shirt. On a bad day, he wore sweatpants and sometimes didn’t bother to put a shirt on. He had a uniform of sorts, a polo shirt he hated with the company’s stupid logo on the left breast and a scratchy, completely pointless collar. He figured someone had done some research and found that people were more productive when wearing uncomfortable clothing, so the company had spent millions on the stupid shirts. He did the math in his head. Billions? Yeah, they probably had spent billions on shirts. Not that it mattered at that point. The whole idea of money had been breaking down. He imagined some executive saying to a sweatshop worker in Malaysia or the Marshall Islands, “Hey, want to make us shirts? I’ll pay you a million dollars per shirt. Also, you’ll be dead in a year. Or you can come with us, and I’ll pay you a penny a shirt in a currency that will have no value in a year. But you’ll be alive. Your choice.” Albert almost laughed. But then he thought about the choices they all made - and the ones that were made for them, choices made by the powerful, choices made by previous generations, choices made by the people who said they loved them the most and turned out to be the biggest liars of all, and the humor soured into something bitter, then sank into his stomach where it was more acidic than bile. He reminded himself he needed to stop thinking of choices, or he’d contemplate himself into an ulcer.

He could see his own reflection between his shoes. His brown skin almost glowed against the darkness, and his black eyes were spaces in the vacuum where no stars lived. Albert was handsome, but he didn’t think so. That truth had been taken from him, too. He didn’t see an attractive man in his mid thirties with slightly curly, jet-black hair, fit if a bit on the thin side, a rakish amount of stubble growing along his square jawline. Albert saw a man past his prime who had weak shoulders, felt doughy around the middle, needed a haircut and a shave, and had black holes for eyes. 

His phone rang. When Albert had first learned they would be using cellphones on the ship, he’d been a bit disappointed. He’d expected something more futuristic, like a sexy woman’s voice that would talk to them from the wall and do all their communicating for them, or devices that would wrap around their ears and project holograms a foot away from their faces. But no. Just cell phones and ship-wide wifi. If it ain’t broke.

“Hey, how are you doing, man?” Luis asked. 

Albert was relieved to see his best friend’s hair was getting a little too long also. Luis’ hair was as black as Albert’s but straight. Normally he combed it back, but it looked like he’d been running his fingers through it a lot lately, and two locks fell down either side of his face. Albert could relate. “I’ve been staring out the window again,” he said.

“That bad, eh?”

“I guess.” Albert looked over Luis’ shoulder. “Are you taking a shit?”

Luis laughed. “No. Only private space in our cabin.”

Albert smiled for the first time that day. “Oh, we’re having a top secret conversation?”

Luis looked at the door to his right. “You know I love my family. But … No, no ‘but.’ I love my family. But seriously, man! The kids are driving me crazy. I love them. I do. But they are starting to get on each other’s nerves. And then they fight, and they get on my nerves. And then Julie gets irritated that I’m irritated and tells me I need to be more patient with them. And I know she’s right, but you know what will never make me stop being irritated? Telling me not to be irritated! So then I’m irritated with her, and that’s never good. I know you don’t think you’re lucky, but…”

Albert just shook his head quickly. A warning.

“Yeah, I know,” Luis said. “Sorry. So, any news on the job search?”

Albert bowed. Luis was sitting on a toilet in a room the size of a shower because it was a shower. The ship’s designers realized they could save a lot of space if the toilets were inside the showers, and the water that sprayed down from the ceiling would keep the toilets and small sinks in the little square rooms that much cleaner. By holding out his phone arm to it’s full length and sweeping the other to its widest, Albert could illustrate that he at least had more room than Luis. It was a spiteful gesture, but he was still stinging a little from Luis’ intimation that Albert was lucky to be in that cabin alone. “Just one more non-essential worker at your service,” he said. “How about you? Any nibbles?”

“Nah. I heard that they were trying to figure out some other things us non-essentials could do just to make work. You know, like manufacturing supplies for the med bays. Or delivering the medical personnel food or something. But basically, unless you have medical training, there’s no reason to let us out. Some people are taking classes to get jobs in the medical field just to get out of their cabins. Isn’t that crazy? I mean, the only reason there are jobs in the medical field is … well, you know.”

“Right.”

“So, non-essential,” Luis said. “But maybe if a job opens up in food delivery. That has to be a growth industry, right?”

They both chuckled cynically. 

Then Albert heard the knock on the bathroom door through the phone. Luis didn’t react much, but his lips pressed together just a tiny bit, a poker tell.

Albert smiled. “You should get that.”

Luis closed his eyes. “Five minutes. Five minutes of peace. That’s all I want, man. I love them. I love my family. I do. But five minutes.”

A muffled woman’s voice came through the door and the phone into Albert’s room. “Sorry, honey, but Carrie has to use the bathroom as a bathroom.”

“Daddy!” A little girl’s voice. “I have to go poop. And I can’t wait anymore, Daddy. I have to go right now.”

Luis looked hard at Albert. “She isn’t lying.”

Albert shrugged. “She’s very persuasive.”

“Fine, fine,” Luis said to the door, and then the light changed as he stepped out of the little room and into his cabin. 

“Sorry, honey,” Julia said. 

“It’s okay. You go ahead, Carrie.”

The top of a little girl’s head passed along the bottom of the screen, and then her hand flashed up into the middle of the picture as she said, “Hi, Albert!”

“Hey, Carrie. I hope everything comes out okay!”

“Gross. My poop is private!” the girl yelled. She sounded genuinely angry. 

“Sorry, Carrie,” Albert called.

Luis just shrugged into the camera.

“Don’t make her self conscious about her pooping, Albert,” Julia said from offscreen, but Albert could hear the smile in her voice. 

“Thanks a lot, Mom,” Carrie called through the door. 

“I got your back, honey. Here, Luis, gimme the phone.”

Luis rolled his eyes, but he was smiling, too. Albert was glad to see they were doing so well. He found he was more invested in the couple’s happiness than he was ready to contemplate. 

Julia’s face took over the screen. “Hey, Albert. How are you?” Julia had a round face and caring eyes, but Albert mostly noticed that her straight blond hair, pulled back into a ponytail, looked much neater than his or Luis’. Then he remembered she was still working, though remotely, and had to remain presentable. 

Now it was Luis’ turn to speak from off camera. “You could use your own phone. We could add you to the conversation.”

She looked out of the frame. “I’ll just steal it for a second.” Then back to Albert. “So, how are you getting by?”

“All things considered?”

“Right. Did you think about my advice? There are lots of counselors doing virtual therapy sessions. I can give you the names of dozens. Or you could find someone I don’t work with, run their name by me, and I could tell you if I know them, if you want to make sure it’s someone I don’t know.”

“No, that’s not the issue,” Albert said. “I’m sure they’re all very professional.”

“Right, but I know sometimes it’s weird if your counselor is a colleague of one of your friends. I just don’t want that to stop you. Because I really think it’s a good idea, Albert. You’ve been through a lot.”

“Everybody has been through a lot.”

Julia nodded vigorously. “Yes. Yes, we have. We all need to be talking to someone. And you’ve been through more than most. So just think about it, okay?”

“I promise.”

She looked skeptical. “Okay, please do, okay?” Then she handed the phone back to Luis. 

Luis smiled in his wife’s direction. “She’s right, man. Support the industry. Keep therapists employed. In a roundabout way, you’ll be keeping her out of my hair.” Then his face lit up. “Oh, did you hear about the petition?”

Albert shook his head.

Luis looked more animated than Albert hd seen him in weeks. “This is so stupid, but it cracks me up. Okay, so there’s this whole online outcry to rename either the ship or Enceladus ‘America 2.’”

“You’re kidding.”

“No. It has tens of thousands of signatures. And the Canadians have mostly laughed it off, but a lot of the Brits and Kiwis and Aussies are pretty pissed. There are even counter proposals to name it England 2 or Scotland 2. And those are dumb. But America 2 is by far the dumbest. I mean, how many of those people even know where the word ‘America’ comes from? At least England was named after one of the groups of people who lived there. And Scotland, too. But naming a moon after an Italian mapmaker because the people moving there aren’t even Italian? I just … I can’t with these people.”

“Lucky Europeans,” Albert said.

“Right?” Luis laughed.

The ships had all launched on the same day. There was no other way. They technically weren’t associated with any government, but they had to be placed in different parts of the world so the people could get to them, so they could have central hubs to send the supplies, so they could be built at all. Also, it was a lot more convenient if the people onboard spoke the same languages. It wasn’t required. Some folks had traveled a long way to be on ships with people more like them. Even though it would have been closer for the Australians and the New Zealanders to get on the ship being built in China (well, technically 250 miles above Beijing), most of them came to the one built in the U.S. (250 miles above Chicago). And though the ship in the US would have been closer for people from Mexico, most of them went to the one built in Argentina (250 miles above Buenos Aires). Albert had read that almost everyone in Israel had gone to the ship built in the U.S. or the one built in Europe rather than the one built in Nigeria, but Muslims from as far away as India and Pakistan went to the one built in Nigeria (250 miles above Lagos) rather than the one built in China. But despite these exceptions, the ships took on a rough sense of a geographic and cultural identity unrelated to their official names which matched their destinations. There were hundreds of languages spoken on the ship built in Nigeria, but everyone thought of it as “the African ship” rather than the ship headed to Jupiter’s moon, Io. The one headed to the southern pole of Mars was “the Asian ship.” The one headed to Jupiter’s Callisto was “the South American ship” (sometimes referred to as “the Spanish ship” even though the people from Spain weren’t on it). But the ship built in Germany and populated by people from all over Europe? It was headed to Jupiter’s Europa. That made it easy. Everyone agreed to call that one The Europa.

The people on the ship built in the U.S. couldn’t even agree on how to pronounce “Enceladus.” And Enceladus was one of Saturn’s moons, so they had the longest trip to be stuck together onboard The Enceladus arguing about different names. 

“Think the company will take the petition seriously?” Albert asked.

“Hell no. They shot the idea down and hinted that people making too much noise about it might even face consequences for threatening to cause disunity that will lower morale. It’s all nautical with the powers-that-be now. Not a corporation, a crew. All for one and one for all and make people walk the plank.”

“Think there really will be consequences? Like, what kind of consequences?”

“Who knows? I’m betting, if they’re like us, non-essentials hoping to find work, then having their names on that petition might drag their resumes into a different file. And maybe, if they have jobs, they might find themselves furloughed so some people like us can take their spots. But maybe that’s just wishful thinking. I do think you should take Julia’s advice about talking to a therapist, though. That could help your resume get to the top of a pile.”

“Really? You think they’re paying attention to that kind of thing?”

Luis shrugged. “I’m an economist flying off to live on a moon with no money. You’re a historian flying off to live on a moon with no history. And a lot of what we know about economics and history is already irrelevant. But think about this. The corporation had one job: Make money. And then that went away, and it is trying to reconstitute itself as a governing body with no military adversaries or international trade. It knows basically everything there is to know about every person on this ship, and it has one new focus: Survival on a distant world. And then a new disease shows up, and we’re in quarantine in a metal bubble flying through space. Now you know how plagues have been used by governments to prevent dissent in previous centuries. Is this the time you’d want to be pissing off the people in charge? Or, if you could help yourself out by spending some time talking to a shrink and also impress the brass by showing you’re going to be a good little employee, wouldn’t this be a good time to do that?”

Albert couldn’t deny the logic. After the call, he looked up the names of the therapists Julia had recommended, then picked one just to prove the association with Julia didn’t make him uncomfortable (though, now that she’d mentioned it, it was starting to). He scheduled an appointment.

And the next day, before he’d even had the appointment, he got the email about his new job. He opened it, read the position description, and flopped down in his chair, his head in his hands, infinite space between his feet. “Holy shit.”

Photo Essay: My Most Recent Project

As many of you know, I have a hard time relaxing. My (admittedly unhealthy) idea of relaxing is taking on another project (or a fifth or sixth side-hustle). This habit ain’t great during a lockdown.

Back in January, I read about the outbreak of COVID in China, and I thought to myself, “Self, this could spread here, and we might end up quarantined in our homes, too.” So I ordered some masks and a woodworking kit. Before you make the mistake of thinking I am smart, I did not think about selling any stock. THAT would have been smart.

A couple years ago, when my Uncle Dave passed, I inherited some of his pipes because he and I both smoked tobacco from pipes just like my Grandpa Don. I also got this kit to carve a pipe.

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The pipe starts out looking like this:

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I had a model I decided to use. It’s not the most appropriate for the memory of a lost loved one; that’s not why I chose it. This is a representation from a character in my next novel, the sequel to Don’t Read This Book. She (eventually) looks like this:

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So I got to work carving the pipe. And the effect on my psyche was surprising. I felt so calm while I was carving. I would lose all teack of time, sometimes stitting still and carving for six or seven hours before feeling a stiffness in my back and realizing I hadn’t moved. I’d organize my schedule to try to get things done so I could get back to carving. And this was one of the coolest effects: At night, instead of my COVID anxiety dreams, I had this incredibly boring and pleasant dreams about carving!

In the end, the carved pipe looked like this:

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Next, I colored the tentacles.

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Then I used watercolor paint to fill it in.

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Then began the process of sealing it. To do this, you bake it and heat up some beeswax, and you keep pulling it out of the over and applying layers of melted beeswax to the hot clay until it can’t absorb any more (or until you run out of wax, as I did). Then you let it cool, and it looks shiny.

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But that’s not the coolest part. Check this out!

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Yeah, that’s right: When used, smoke comes out of her eyes.

Next I’m either going to start a brand new project, a large fountain for my backyard, or a more modest project, maybe a long stem for the pipe that has matching tentacles curling around it. I can’t decide which will come first. I have a lot of other work to do (teaching my high school students, teaching a class to teachers, getting four or five more books ready for publication this year, finishing my own novel), but this was a great way to relax, and I’ll come back to projects like this to fill the time.

Remember that time when…

Remember that time when the media broke the story of that Trump scandal that should have disqualified him from the Presidency, and he said "fake news," and his followers believed him, and the whole thing blew over? No. Not that scandal. The other one. No, not that one. The one after that. Oh, yeah, he said, "fake news" after all of them. And many of us (myself included) made the mistake of thinking the scandal was the thing people should be focusing on. You know, the abuse of office, the breaking the law, the violating the Constitution. But we were wrong. It turns out the real scandal was getting folks to believe they couldn't trust anyone but him. Now there are people holding rallies that will cause some of them to get sick and die and others to get sick and kill, and they are doing it because they've been taught to distrust the media. Sure, "the media" (which is not really some monolithic liberal conspiracy) gets stories wrong. They do that all the time. But they frequently get stories right. And teaching people they can't trust truth-tellers and should only trust the man who has told more fact-checked, debunked, demonstrable lies than any human in our species' history is turning out to have life-and-death consequences. Yes, we need to get rid of this terrible President. But that's just a step. We also need to decide to embrace reality again. As long as we have two versions of reality, the one based on sometimes-wrong reporting and fact-checking and science, and the one based on always-wrong conspiracy theories and outright lies, we aren't a country. We aren't even existing in the same universe. And where those universes touch, they will grate against each other, and the friction will lead to frustration and hatred and, yes, death. There is no reasonable debate, no common ground, when we don't even have shared facts. Trump has thrived in this chaos, but once he's gone, how will we rediscover a shared view of reality? I don't know. And I'm very afraid of how many people will die while we try to figure it out.

The Parable of the Painting

I made the mistake of getting into a debate with some people on Facebook, and so I wrote a story to try to express why I feel their impermeability to evidence is not just frustrating but genuinely scary.


The Parable of the Painting


The education beat in a small town is the way a lot of journalists like me get their start. It’s mostly high school football and basketball games, with the occasional controversy when the teachers’ union and the school district can’t agree on a contract and things get heated. The rest of the time, the board meetings are the worst part of the job. But I will never forget one story I was not allowed to tell at the time. Now that I live far away, I can tell this to you. It feels all the more salient in these dark days.

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Pleasanton was a small town which was quietly turning into a bedroom community for the megalopolis growing nearby. It still managed to retain some of its charm through a fealty to its history. Though it didn’t have many claims to fame, it could boast that the woman in the famous Alfred Eisensteadt photograph, a dental assistant being kissed by one of the returning sailor on V-J Day in Times Square at the end of World War II, had returned to Pleasanton after the war (without that sailor), married, and had become something of the town matriarch. Her name was Elizabeth Miller when the picture was taken. She passed away in the 90s, but her two sons had become pillars of the community. Their names were Maxwell and Robert Birkshire. Max was one of the leading businessmen in town, owning the bowling alley and the movie theater, though his most profitable businesses were the fast food franchises located across the river in the city. Bob was the pastor of the Methodist church, the largest congregation in Pleasanton. As dictated by the town’s size and traditions, these leading figures were obligated to serve either on the city council or the school board, and both had chosen to run for positions on the latter. The only other member of the school board was Mary Patrick, a retired teacher who had earned the love of the town despite her stern demeanor and strict classroom discipline because, after forty years as the only math teacher, she was a unifying presence; everyone had served their time in Mrs. Patrick’s classroom. 

Now, in addition to sharing parents and a hometown, Max and Bob were alike in many other ways. Max was a parishioner in Bob’s church, and Bob frequented Max’s bowling alley even more often. But the two men differed in one crucial way, and neither was aware of this distinction because each lacked the knowledge about himself. Bob knew his ability to distinguish colors had been fading, but he was unaware that he’d become completely colorblind. Max had slipped on the ice just a few weeks earlier and cracked his head on the pavement, and while he was being treated for the recurring migraines, no doctor had yet noticed a particular brain damage he’d suffered as a consequence of the fall. Max could no longer identify many shapes.  

So the first part of the whole debacle should have been comical. Louise Vandercreek challenged the inclusion of a particular painting which was housed in the glass case outside the art room, and according to the school district’s policies, all such challenges had to be brought before the school board. She’d lodged the formal challenge back in November, but then Louise’s dog got his snout caught in some chicken wire, and she had to rush him off to the vet’s for some stitches, so she couldn’t make it to the December meeting to explain her objection. Since the painting had been on the agenda for three weeks and the planned choir recital had been canceled because of all the ice on the roads, the three members of the board decided to move ahead with the objection issue rather than push it off until the next year’s board calendar. 

Ms. Rappaport, the young and timid new art teacher at Pleasanton High, brought the painting up to the podium covered in a white sheet, set it on top without revealing the image, and leaned over the microphone. Her voice was soft and hesitant, and she had trouble looking up at the three people on the stage, though she made an effort. “Mr. Birkshire. Mrs. Patrick. Rev. Birkshire. This is the painting that’s the next item on the agenda. As you know, we had a parent complaint. For obvious privacy reasons, I won’t name the student who painted it. I think it displays a great deal of skill, but I admit the content of the painting is a bit controversial. I don’t want my own biases to … um … color your judgement, so I will just show you the painting and let you decide.” Then, with a flourish that contradicted her mousey voice, Ms. Rappaport whipped the sheet off the painting.

The image under the sheet was not merely composed of a painting. It was a blown up image of Alfred Eisensteadt’s famous black and white photograph, with colored paint applied on top. Done with extreme care to match the shades of gray, the high school artist had matched very dark reds and greens to the darkest parts of the painting, and very light reds and greens to the lightest parts, but these colors were applied selectively along the angle of the young Elizabeth Birkshire nee Miller’s angled body and the crook of the sailor’s arm which held her head, and the shape of the colored portion was quite obviously that of an erect, veiny, gigantic penis. The artist (everyone at school knew it was that goth girl, Judith Molleur) had not done this by accident. She was attempting to comment on the fact that the image, long presented as an icon of celebration and patriotism, was in fact a depiction of sexual assault. This was a very fair critique; Eisensteadt and the sailor (whose identity is still disputed to this day because multiple men proudly claim to be the one in the picture) set up the image and chose a total stranger for the sailor to kiss. Eisensteadt chose Elizabeth because she was pretty and happened to be wearing white, and he knew that would make for a striking contrast. Elizabeth was not consulted in any way. The sailor simply ran up, grabbed her, kissed her, Eisensteadt snapped the picture, and then the men ran off. Elizabeth found herself on magazine covers and in history books being kissed by a total stranger, only the people of Pleasanton knew or cared, and they considered it an honor. Her opinion of the whole affair was never quite clear. Was she merely being humble when asked about it? Was she ashamed? Was she just tired of the attention? She took that secret to her grave. But Judith Molleur saw the image through modern eyes and recognized it for what it was, and she wanted the rest of the school to see it her way, so she chose the vivid reds and greens for her giant penis painting.

Of course, that’s not what the Birkshire brothers saw at all. Bob, by virtue of his colorblindness, saw an almost perfect replica of the famous photograph, with just enough brushstrokes that he could tell it was painted. Max, on the other hand, saw a bright splash of red and green against a mottled grey background in some shape he couldn’t identify, a piece of modern art with a possible Christmas theme. And they might have cleared up their misconceptions quickly enough had the chair of the board, Mrs. Patrick, not spoken first.

She leaned toward her microphone and then shot warning glances at the men on either side of her, the same glare she’d used in her math classes to preempt students she knew were about to speak out of turn. “Alright, before we discuss this, I have to remind everyone that this conversation is on the record in open session. We have a number of bylaws that need to be adhered to as we discuss this matter. First of all, there are laws about student privacy to be considered, so we cannot say anything that might reveal the identity of the artist, so I’ll just warn you to be careful about that. Secondly, because of the picture’s content, we may have some conflicts of interest to keep in mind, so let’s not be too specific about who is in the painting. Thirdly, because of the painting’s content and our rules about obscenity, we need to be very careful not to mention exactly what is in the painting. I mean,” she chortled a bit, a dry raspy sound that reminded everyone schools used to allow smoking in the teachers’ lounges, “we all know what we’re looking at. But we’re not going to talk about that.” There was some chuckling from a few members of the assembled audience who had heard about the painting and had come for the show, but because the podium was in the middle of the room and the painting faced the school board, most of the people there that night couldn’t see the painting and didn’t get Mrs. Patrick’s joke. “Okay,” she continued, “I’m going to move that we should not allow the painting to be displayed at the school. Do I have a second?”

Neither man spoke. She looked back and forth. “Bob? Max? Either of you want to second my motion?”

Bob leaned back in his chair. “Look, I know it’s not the usual Robert’s Rules of Order, but I think we should debate this a bit before we move forward on this. And I don’t know quite how to debate it without talking about all the things we’re not allowed to talk about, so I’m just going to say it: I think the painting is great, and I think we should keep it on display.”

“Really?” Mrs. Patrick asked, sincerely surprised. 

“Well, I don’t want to cross any lines here, but I feel a strong personal connection to this painting. Beyond that, I think it says something important to the kids about our town of Pleasanton and its history, and I don’t see why we should hide that.”

Mrs. Patrick managed to keep her mouth from hanging open. Had the town’s most prominent man of the cloth just made a reference to the size of his … loins, in front of God and everybody? She couldn’t help but swivel in slow motion to get support from Max.

Max shrugged. “Now, I see it differently. I think we should keep it up there, too, but not because of any historical reason and certainly not because of any personal connection. Frankly, I don’t see myself in this painting at all. I just think it’s important that the kids be allowed to express themselves in these new ways. They’re the future, and we don’t want our traditional views of things to be limiting what they can do. I’m just not comfortable with that kind of censorship in the name of tradition. So I say leave it up and let the kids do their thing.” 

Now Mrs. Patrick’s mouth did hang open. Had the town’s leading businessman just shared something about his own feelings about his … anatomical inadequacies on the record in an open session of the school board meeting? Or was that a comment about his parentage. Max looked so much like Bob, and they both resembled their mother in such striking ways, that she’d never even considered the possibility he wasn’t a blood relative. But maybe they’d had some falling out she didn’t know about. 

Bob took offense for a different reason. How could his brother deny the historical importance of this painting of their mother? “Look, Max, I know you aren’t quite as traditional as some of us, but you have to admit this has deep, deep meaning for our family. I find this painting really penetrating, like to my soul, Max. You understand that, right?”

“Hey,” Max said, a bit more sharply, “I don’t appreciate your condescending tone, Bob. Of course I can see why this might have some holiday significance to you, and it might even touch you on a spiritual level, but to me it’s about freedom and energy and … yeah, I’ll say it. It’s about love, Bob. Not in some pious church way, but in a secular, modern way. And it’s a public school, so that seems totally appropriate to me.”

Bob shook his head. “See? There you go. You go off to the city and get all these big ideas that secularism is the way to go and we can forget all about our history and traditions. And that’s what’s wrong with this country, Max. It’s people like you, losing touch with their roots.”

Max leaned over his mic. “Something is wrong with this country alright. We’ve got Mrs. Patrick here who wants to censor things that are outside her preconceived notions of what art should look like, and then you, the minister, wanting to make everything about your religious devotion to the past, and I’ve got news for you, Bob. That? That right there?” He pointed angrily at the painting. “That’s not about the past, okay? That’s about the future. That’s about progress.”

Bob threw his hands up. “That doesn’t even make any sense! You want to make everything about progress and the future, and normally I let you go about your businesses and don’t make a fuss, but this? This is one thing that’s cut and dried. This is about tradition. And if we can’t agree on that, I don’t know what comes next. Everything is subjective now? Post modern? Sometimes a cigar is just a cigar, and why can’t we be happy with this big ol’ cigar in our mouths?”

All the laughter in the room had vanished. Mrs. Patrick had been swinging her head back and forth, but now she fixed it straight ahead, and only her eyes, opened as wide as they could go, ping-ponged as the men spoke.

“Yeah, I see what you’re doing there. I’m the cigar smoking capitalist, right? One minute I’m too liberal because I like things that are new and creative, so I’m a commie socialist, and the next minute I’m some capitalist pig because you chose to work for a church instead of starting your own businesses. Jesus Christ, Bob, there’s no winning with you!”

“Hey! You may not care about our family anymore, but don’t you take the Lord’s name in vain in front of me or I swear to God I will come over this table and beat your ass!”

Mrs. Patrick snatched up the gavel, at first to protect it from the wobbling table, then to use it to protect herself, and then, remembering she could do so, to end the meeting. She hammered it down eight times, at least five more than were necessary, before she caught herself and calmly announced the brief recess that would turn out to be the end of the meeting since, five minutes later, they no longer had a quorum, both men having left.

And this whole fiasco might have blown over, if not for what happened the next week. One of the items that had been further down on the agenda was an urgent request from the custodial staff at Pleasanton Elementary for an emergency purchase of salt. They hadn’t accounted for the extra icy winter hitting so early (though Max’s head had already felt its effects violently), and they were running low. The district could easily have afforded the salt, but it required school board action to move money from the general fund to the maintenance fund. This could even have been done with a few phone calls the next day, but the brothers refused to speak with each other. So on Monday, when two children and a parent fell in the school parking lot and little Matty Parks broke his wrist in two places, the town went into an uproar. They called the paper wanting answers, and I had a story written about the board meeting which would have cleared up a lot of the confusion, but Mrs. Patrick, after refusing to comment to me on the record, had called my editor and reminded him that if they ever wanted to get a story about anything educational printed with district help in the pages of the Pleasanton Herald, he would make sure the story abided by the same strictures as the board members and not describe anything that might identify the student or include any references to the obscene nature of the painting. My editor went at my story with his red pen, and pretty soon it made almost no sense. But that wasn’t enough for Mrs. Patrick. My editor showed her the story before he ran it, and she was furious with the depiction of the board in chaos, so she hopped online and told everyone that they couldn’t trust the Pleasanton Herald or me personally, that we were liars and as biased as the least ethical examples of what passed for journalists in the mainstream media, and that if people wanted the real story, they should listen to the people who had been in attendance and not some young reporter who lived across the river and commuted into Pleasanton to make fun of them for being provincial yokels. 

The angry citizens of Pleasanton took her advice and privately interviewed the few people who had been at the meeting, most of whom had never seen the painting under discussion. These people, depending on their biases, told elaborate stories of the valiant and moral Max defending himself and the town from the cowardly and evil Bob, or vise versa. Most people initially fell into camps based on which of the two brothers they’d already liked better, and in days the painting itself was forgotten, and the debate became about secularism vs. religiosity or censorship vs. first amendment rights or progress vs. tradition or, inexplicably, guns and abortion. This shift away from the painting was exacerbated by a habit of the citizens of Pleasanton; whenever they were confronted with an argument, it was considered socially acceptable to say, “Oh yeah? Well what about…” and then bring up some other, completely unrelated grievance. Consequently, rather than have a single debate about an issue, people tended to have wide ranging gripe fests that were mostly about tallying hypocrisy points. Then, when these debates became uncomfortable, people would try to find common ground by saying Max and Bob were politicians and therefore equally untrustworthy, and that both sides were equally at fault.  By the next summer there were rumblings of recall efforts, and both brothers announced they were not running again, so, in addition to losing a lot of their standing in the community and what had previously been a tight sibling bond, they also lost their positions on the school board and were replaced by people who were far less competent except when it came to their key campaign promises to make damned sure the district was always well stocked on salt. People stopped coming to Bob’s church because they had heard he was some kind of villain. Others stopped going to Max’s bowling alley and movie theater. While the brothers weathered these financial hits, those people lost their faith communities and their bowling leagues and their date nights next to their neighbors. The whole town of Pleasanton was diminished.

To be honest, I’m not sure my story would have made a whole lot of difference after that initial weekend. Once Mrs. Patrick told everyone not to believe the Pleasanton Herald, they were doomed, and even learning the true story wouldn’t have mattered all that much. Part of the both-sides impulse that turned the town on Max and Bob also manifested in their reaction to every other story put out by the paper, and I’ve heard that went on even after I moved away. Somehow the people of Pleasanton felt that it was their civic responsibility to believe a version of events which fell at the perfect halfway point between whichever two stories they heard, as though the most correct understanding is the middle-est, even if it’s halfway between the true account and a lie. 

I’m reminded of this sometimes when I hear people use some of the same buzzwords I jotted down as Bob and Max shouted at each other. It would be nice if we could talk about Bob’s value of history, as long as we could include Judith Molluer’s recognition that we have a lot in our past that is ugly and needs to be reckoned with. It would be nice if we could talk about Max’s desire for progress and freedom without being scared that we’ll step on Bob’s love of his religious tradition. There are parts of the painting we can’t see alone. But let’s not both-sides this. Max and Bob and the people of Pleasanton weren’t undone by the differing values of the brothers. The town was prohibited from having one shared, true story, and they chose to abide by that prohibition. I’m not some perfect, impartial arbiter of right and wrong. I’m just a woman doing her best to tell the story accurately. And if we don’t agree to hear each other’s stories and try to figure out the truth, we’re left alone, locking ourselves out of our churches and bowling alleys and movie theaters, refusing to talk to our brothers, and making kids like little Matty Parks suffer for it.

Now some people will try to make peace in Pleasanton by saying, “Let’s not blame anyone. Not Max. Not Bob. It’s all in the past anyway. No one is to blame.” But they’re wrong. Mrs. Patrick is to blame, and learning that is the key to understanding what is currently happening in Pleasanton.

When we aren’t allowed to talk about the painting in front of our own eyes, and when we refuse to believe the people who can see more than we do, it has consequences. 


March Newsletter

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Here’s a sample of this month’s newsletter. To receive the whole thing (including freebies! This month’s had a link to a super-secret trailer chapter for my next novel), add yourself to the contact list HERE.


Dear Beguiling and Savvy Readers,

The end of March is nigh. This month has been about four-and-a-half months long, yet I am still getting this out near the end of the month. Why? So you will know the month is nearly over and remember we used to have these things called months which meant something. You’re welcome for that bit of nostalgia.

Before I go any further, I hope this finds you physically and mentally well and weathering this storm as best you can. I’ve been sending you flowers every day (digitally, through Instagram and twitter and FB) to try to bring some added beauty into your life, and I hope you are in good spirits. I’m in one of the Stay Home, Save Lives states (as opposed to the Save the Economy by Killing Grandma which Will Damage the Economy A Whole Lot More states), so I’ve been gearing up to try to teach my high school students as best I can when some have no internet (we’ll make it work somehow). I did something really important for my mental health: I got a dog. Meet E.V. She’s a rescue who had a really rough life before a wonderful foster family saved her, trained her, and brought her to me. Now it’s my job to make sure she knows she’s safe and loved for the rest of her life, and this sequestration is offering a lot of time for bonding. She also takes me for walks, so she’s keeping me healthy in that way, too. Good dog, E.V.!

 

Updates about my writing and publishing

Heather S. Ransom’s Back to Green hit shelves this month, and it’s already crushing it. Kate Ristau’s sequel to Shadow Girl, titled Shadow Queene, is now available for pre-order and will arrive on doorsteps or in Kindles the day of its release, April 28th, if you order your copy now. Not a Pipe Publishing had a big sale this last week where a whole bunch of our titles (the stand-alones, the anthologies, and the firsts in each series) were free on Kindle for the week. It was a huge success in a couple ways. First, it got a lot of our talented authors' words in front of a lot of eyeballs. That’s the main goal of the company, far more important than making money. As an added bonus, the downloads count as sales, so ALL of Not a Pipe Publishing’s authors have now become Amazon Best Sellers. I know that doesn’t translate into royalties for them or profit for the company, but it sounds cool, and I keep believing that once people read these great novels, they’ll tell friends and the books will take off. Why? Because they should. Because they’re great books. I know that’s not really the way the world works, but I think it’s the way the world should work, and I’m going to keep trying to make it so.

My book tour has been canceled, of course. I’m not even going to spill ink complaining about that in the current global context. 

As for my own novel, I joked that I would make March my CoronaNoWriMo (NaNoWriMo is National Novel Writing Month, and it’s in November when school is on, so I can never participate). I half believed my own joke, too. Well, I spent the month working on other people’s books because I signed contracts with them and owe it to them to put their books first, so mine kinda took a back-burner, but I have made some progress lately, and it reminded me why I love these characters and their story, so I’m feeling increased impetus to get it done. Then my girlfriend, who is currently reading Don’t Read This Book, told me she wanted more of three of the characters in the sequel. Combined with a global pandemic, that has changed the direction of this sequel and the third installment in a good way. Just today I wrote a whole chapter. I normally wouldn’t share out a teaser like this, but I think this chapter can stand alone while also giving you a flavor of the second book. So, if you want to read Don’t Read This Book first and not have anything spoiled, get that here, but if a book with a title telling you NOT to read it doesn't sound like your cup of tea, consider reading this chapter that has some not-so-hidden commentary on the era we are all living through. (Just a first draft, of course, and subject to a lot of change in the future.) [This is just for folks who have signed up for the newsletter, so membership has its privileges. Add yourself to the contact list HERE.]  I think you’ll enjoy it. And if you’re fans of the McElroy Brothers who do the podcast My Brother, My Brother and Me, you’ll like it even more!

 

Tweet from someone you should consider following

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Lately my favorite person on twitter has been Mikel Jollett. He’s the lead singer of a band I like, The Airborne Toxic Event (they formed in 2006, so the name is just an unhappy coincidence), and the author of a memoire, Hollywood Park, and his critiques of this administration have been insightful, focused, and blistering. Follow him at @Mikel_Jollett

 

Monthly Poem

This poem came about thanks to a workshop put on by my friend Rebecca Smolen, who is also one of the most talented poets I’ve ever met. She hosts these workshops using a special critique method, and she keeps the workshops small, but if you can get into one, I highly recommend them. Anyway, a few years ago I painted my own version of Picasso’s Don Quixote, and it’s pretty decent but not at all creative. Most folks think it’s a print of his, and that’s flattering in its own way. It’s framed on my wall. One of the prompts Rebecca gave us was “my empty body,” and both Don Quixote and Sancho Panza have empty spaces in their bodies, but they carry themselves completely differently, emptiness and all. Hence, this:

 

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Holding the Lance


Picasso’s version 

of Sancho Panza

is not the kind and lovable

Samwise Gamgee

we sometimes misremember

He’s a blobby snowman of darkness

pressed down by his social standing, sure

but maybe frowning and

certainly willing to participate

in the cruelty inflicted on his master

by a novel that takes dementia

and twists it to wring bitter laughs

dirty water

like the excretions of the old bath towels

my parents cut into rags, 

and tossed in the bucket in the garage

for us to use when

washing the car.

Picasso’s painting is all

clean black and white

but feels hot and sweaty and dirty

like the novel

seen through modern eyes.

And Rocinante is all terrible angles and bones

and the windmills are so far off in the distance

under that oppressive sun

But there’s something about

the way Don Quixote

holds his lance

not the pathetic weapon itself but

the stiff wrist and fist curled in around the handle

not letting go 

of his mad dream

to be something different than

an inky blob of a man

to be a sad, old empty body

and a fierce spirit

who holds on

and won’t let go

 

Book recommendation

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I wasn’t sure what to recommend this month. (If you haven’t read any of my books, I should be recommending that you take this opportunity, but that feels too gross, so I just won’t.) Then I remembered a conversation I recently had with my girlfriend. Yeah, I have a girlfriend now. She’s a voracious reader, and we talk about books a lot! I was telling her about Dune by Frank Herbert. It’s a brilliant series of books. I could go on and on about it (and I did, and she didn’t even seem bored!), but if you get your hands on a copy and read even a few pages in, you’ll be hooked, and it will provide you with many hours of escape into a distant and wild future that will change the way you see our world just when you might like a different perspective. 

 

Announcements/reminders

Last month I encouraged you to sign up for our Writing Against the Darkness Team. On the longest day of the year, June 20th, we’re going to participate in The Alzheimer’s Associations annual The Longest Day fundraiser by writing from dawn to dusk. Well, we might not be getting together in person this year, but this is the perfect opportunity to do some good for the world from home, and doing good is a great way to maintain your own mental health, so please consider it. Find out more and sign up HERE.

February Newsletter

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Dear Comely and Perceptive Readers,

The end of the month is sneakier in February! But I made it just before my self-imposed due date. It’s been an exciting and productive month! March begins with the Women’s March in Portland, so check out my twitter/FB/Instagram for pics from that on Sunday.

Updates about my writing and publishing

Shout: An Anthology of Resistance Poetry and Short Fiction hit the market on February 2nd. It has become an Amazon bestseller (thank you to all of you who got your copy! If you haven’t yet but you’re interested, you can find info HERE), and it’s getting some great feedback. Some of the authors in Seattle have set up a signing up there, and my co-editor Zack Dye set up four reading/signing events in the Bay Area, so I guess that qualifies as my first real book tour!  

I’ve been working with the authors and editors of the other books that will be coming out from Not a Pipe Publishing this year, Heather S. Ransom’s Back to Green (sequel to Going Green and Greener) Kate Ristau’s Shadow Queen (sequel to Shadow Girl), William Schreiber’s Someone to Watch Over, Claudine Griggs’ Don’t Ask, Don’t Tell, and Jason Brick’s Fighting Upstream (sequel to Wrestling Demons). I am so lucky to get to work with these authors, and with editors Viveca Shearin, Sydney Culpepper, Madeleine Hannah, and Paula Hampton! This work would be impossible to complete without these editors, and the world is a better place for having these author’s voices in the world, so we all owe these editors our thanks. 

My own novel is coming along in fits and starts, and I waste too much time chiding myself for not making enough progress (a sentiment which, ironically, does not help me make any progress). Tonight I came across a comforting insight from two-time poet laureate Tracy K. Smith who pointed out that poetry is often a more social kind of writing. Perhaps that’s why I’ve been pulled in that direction so much, lately; I need my writing to be a bit more social than a novel affords, and maybe it’s okay to allow myself that. I have a book of my poetry in the hands of some great poets now, and if they tell me I wouldn’t be humiliating myself too badly, maybe I’ll put that out into the world this year for that very reason. And maybe it’s even acceptable to embarrass myself a little in order to get that human connection through my words. It’s okay to admit I need people. 

Link to an article

I’m a big fan of Michael Harriot, a writer for The Root. Besides his own insightful pieces, he maintains a blog of his responses to reader’s email questions, the Clapback Mailbag. This month he had a post where he responded to the hate mail received by his colleagues, and it was glorious:

https://www.theroot.com/the-root-s-clapback-mailbag-the-state-of-the-clapback-1841503378

Tweet from someone you should consider following

One person I love following on twitter is author Christopher Moore at @TheAuthorGuy His tweets will just make your life better. Like his novels. And waffles. 

Poem

This one has a fun origin story. A poet who is a twitter friend posted something about how she was frustrated that she’d thought of a poem but it had vanished before she could write it down. I suggested we write poems about where those poems go when they disappear. Here was mine:

Leaked

Not flowing like mercury

instead inching slowly

oily, viscous, sludgy paced but

still sinking between and dripping into

that room where 

fairies collect the residue

on the ends of wands and drizzle it

across the tops of pastries fed to nymphs

who are never prey for satyrs because

they own their bodies and are 

made so strong by

the magic

of the poems that slipped away.

Book recommendation

I recently read Omar El Akkad’s American War, and I highly recommend it. The novel tells the story of a second American civil war, and I went into that with some trepidation because it’s a subject I started writing a novel about many years ago and haven’t finished, and I worried about being influenced by Mr. El Akkad’s work. His book is very different than the one I was working on, so I shouldn’t have been worried about that. Instead, I should have been worried about being intimidated because of the quality of his prose. This is an excellent novel written before the Trump presidency, and I’ve heard Mr. El Akkad speak about how he designed it to help Americans understand how people living in war torn lands he visited as a war correspondent are not some inferior tribal people hell-bent on their own self destruction, but people exactly like you and me trapped in the power of cultural, economic, and religious forces beyond their own control. I think it was Ta-Nehesi Coates who said that when we look back at history, instead of asking how we would have done things differently, we should be asking why we would have done things in the same way, and American War will make you ask why, if you’d grown up in Afghanistan or Iraq or Syria, you’d be making the very same decisions about how to live or die or kill that the people there are making every day. 

Also, Heather S. Ransom’s Back to Green, the third book in her Going Green trilogy, will be available on March 10th. You can pre-order it now, and if you’re a fast reader, you can probably devour Going Green and Greener before your copy of Back to Green arrives. The end of this trilogy is excellent. Each book in the series broadens the scope of the protagonist’s life as she takes on a larger role in her world (and I love the way the covers get more crowded with characters to reflect that). It’s a great allegory for the process of growing up to be a more engaged citizen, but it never loses the sense that our place in our world is most deeply felt when it comes to our closest relationships, no matter how much the world’s challenges try to bend and break those bonds. Definitely worth checking out!

Announcements/reminders

It may seem like it’s a ways off, but I encourage you to sign up for our Writing Against the Darkness Team now. On the longest day of the year, June 20th, we’re going to participate in The Alzheimer’s Associations annual The Longest Day fundraiser by writing from dawn to dusk. You can participate wherever you are or join us at the Oregon Coast. Find out more and sign up HERE.

Sponsored section

No sponsors yet, so tell a friend who wants to get their message to a few hundred of the very best people to contact me!

(If you want this newsletter in your email inbox, sign up HERE.)

Put out the fires you can, and dance while you're doing it.

-Benjamin Gorman

January Newsletter

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Twitter: @teachergorman     Instagram: @teachergorman  
Facebook: 
Benjamin Gorman - Author   Website: www.TeacherGorman.com

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Dear Perspicacious and Iridescent Readers,

So I'm going to try producing a newsletter. My goals:

  • Make sure it comes out monthly

  • Make it useful

  • Make it fun

  • Keep it short  


My challenges:

  • Life happens. I'm going to work on developing habits which will help me produce this over the course of each month rather than writing it at the last minute and missing the deadline because something came up. 

  • Sometimes the things that are the most useful are unpleasant.

  • Sometimes the things that are the most enjoyable aren't useful.

  • I have never been particularly good at being brief. If something can be said with fewer words, I have a tendency to opt for more. I sometimes annoy friends by making the same point over and over. Also, I can be redundant. And repetitive. 


I intend to give brief updates about my writing and publishing. For example, I have a short story coming out in an anthology I co-edited with one of my lifelong friends (we met in 2nd grade) Zack Dye. If you are concerned about the rising tide of fascism in the United States and want to read some excellent writers standing up for a more just world, check out Shout: An Anthology of Resistance Poetry and Short Fiction, available on Feb. 2nd (but you can pre-order now!) I made a video about it: https://youtu.be/3htcqDrTvKM

I'll include a link to an article about something I wish were getting more attention, like this one:

Miller Dismisses DACA in Emails, Mirroring Anti-Immigrant Extremists' Views


I'll also include a tweet from someone you should consider following, (in addition to following me at @teachergorman, of course!) like:

https://twitter.com/simone__kern/status/1216844179025866753?s=20  


I'll try to include a poem of mine each month, like:

Dance on the Ashes

The world is on fire.

                   Stipulated.

But those of us

       trying to stamp it out

          can enjoy

       dancing on the ashes

                       and maybe

           stop drop and

   roll together


And a book recommendation or two (or three), like: 

Ann Leckie's Ancillary Justice, Ancillary Sword, and Ancillary Mercy

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I binged this trilogy over the holiday break (English teachers, ironically, rarely have time to read for fun during the school year), and I loved it. The protagonist is an ancillary, a reanimated corpse who is a part of one of the many identical bodies who make up the crew and hive-mind of a spaceship. But when she rebels against an unjust order and her ship and all the other ancillaries are killed, she's just one person trapped in one body with one purpose: Revenge. The trilogy is richly conceived, the view of our possible future (especially in regards to gender identities) is really cool, the characters are memorable, and the ending is satisfying. 

There will be some announcements/reminders, too. For example, if you're interested in joining my Writing Against the Darkness team to help raise money to fight Alzheimer's Disease, we'll be taking on their annual The Longest Day fundraiser by writing from dawn until dusk. Some folks will get together to do this face to face (location TBD. Beach house on the Oregon coast? My house?) and many participate online. If you want to learn more about it and sign up for an incredible day of writing that also helps a good cause, check it out here: http://bit.ly/AgainstDark2020

Oh, and maybe there will be a sponsored section down here if one of you wants to tell the rest of you about something cool, too! Email me HERE about that if you want your thing announced. 

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I hope this sounds good to you. If so, I'll see you back here each month. (If you want this in your email inbox, sign up HERE.)

Put out the fires you can, and dance while you're doing it.

-Benjamin Gorman

 

Copyright © 2020 Benjamin Gorman, All rights reserved.

Our mailing address is:
Benjamin Gorman
P.O. Box 184
Independence, OR 97351

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The novels Don't Read This BookCorporate High SchoolThe Sum of Our Godsand The Digital Storm are available now!